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ChatGPT's Brutual Words on the Future of Photo Editing

I recently sat down with ChatGPT to discuss the future of AI in photo editing. But this wasn’t the usual polite, agreeable AI conversation. I asked for the "On Edge" take - no fence-sitting, just the brutal truth.

The consensus? The days of manually pushing pixels are numbered. We are moving from a world of technical craftsmanship to one of creative direction.

Here is the unvarnished reality of where photo editing is heading.

1. The "Mixed Bag" Reality Check

If you think AI is just going to make everyone a creative genius, think again. The future is a double-edged sword.

  • The Pro: Tasks that used to take hours will take seconds. The grunt work is disappearing.

  • The Con: We are about to see a flood of "cookie-cutter" edits.

  • The Hard Truth: AI will widen the gap between "okay" and "truly skilled." When anyone can press a button to get a polished image, technical skills stop being the differentiator. The real separation will be pure creative vision. If you’ve been relying on technical tricks rather than an artistic eye, you might feel exposed.

2. Photoshop as a "Cockpit" Not a Workbench

We are already seeing Adobe integrate third-party tools (Google’s models, Black Forest Labs’ Flux, Topaz) directly into Photoshop. This is a strategic power move to keep Adobe as the "hub" of the ecosystem.

But how will the interface evolve?

Expect Photoshop to shift from a manual workshop to a Command Center.

  • Current State: A toolbox where you manually tweak curves, levels, and stamps.

  • Future State: A cockpit of "AI Co-pilots." You will direct intelligent agents to execute tasks.

You will say, "Give this a cinematic mood," and one AI will handle the grading. You’ll say, "Fix the skin texture," and another handles the retouching. You are no longer the mechanic; you are the Creative Director.

3. The New Skill Gap: Prompting vs. Sliders

This is the part that makes old-school retouchers nervous. The slider days are fading; the era of "describe what you want" is taking over.

The differentiator is no longer how well you know a hidden menu in Capture One or Lightroom. It is about how you steer the AI.

Old Skill Set / New Skill Set

The secret sauce is now the instructions you give. The AI can’t imagine on its own; it needs your taste to guide it away from the generic and toward the unique.

4. Adapt or Die: A Note to Educators and Pros

For those whose entire business model relies on teaching people how to use sliders and manual tools, this is a major shake-up. But it’s not doom and gloom—it’s a pivot.

  • For Educators: Stop teaching button-pushing. Start teaching creative thinking, prompt crafting, and vision. Move from being a technical instructor to a creative mentor.

  • For Retouchers: AI gets you 90% of the way there, but it lacks the "human touch." Become the specialist in that final 10%—the subtle artistic decisions and finesse that an algorithm misses.

5. The "Generated Pixel" Controversy

Camera clubs and traditionalists are rightfully concerned. When an image contains pixels the photographer didn't capture, is it still photography?

The advice is simple: Don't fight the tide, surf it.

We need transparency and clear categorization:

  1. Pure Capture Categories: Strictly no generated pixels.

  2. AI-Augmented Categories: Open experimentation.

Photography has evolved before (film to digital), and this is just the next step. By separating the categories, we preserve the tradition of the craft while allowing space for the new wave of digital art.

The Bottom Line

The future isn't about the software tools vanishing; it's about them moving to the background. The sliders will likely remain tucked away for the die-hards, much like manual mode on a camera, but the workflow will be AI-first.

If you are worried about AI taking your job, remember this: The tool is changing, but the eye remains. AI can generate an image, but only a human can know if it’s right.

Portraits, Passion and Process: an honest chat with Photographer Hannah Couzens

Watch the recording of this LIVE Broadcast ass I chat with Photographer, Profoto and Sony Ambassador, Hannah Couzens to discover her process for taking portraits, lighting, getting the BEST out of a portrait session plus the challenges of a modern day studio photographer.

links mentioned in the video:

Photography and the Power of Community | Angela Nicholson

Watch the recording of this LIVE Broadcast as I chat with Angela Nicholson - Photographer, Journalist, Reviewer and Founder of SheClicks - a Community for Female Photographers. We’ll be taking about her photography, her process, gear PLUS why Community in Photography is so important.

links mentioned in the video:

Becoming a Fine Art Photographer and Master of Monochrome | Vincent Versace

Watch the recording of this LIVE Broadcast as I chat with Fine Art Photographer, Nikon Ambassador and Recipient of the Computerworld Smithsonian Award in Media Arts & Entertainment” Vincent Versace and discuss life as a Photograper, finding your style, the art of post production and more ...

links mentioned in the video:

 

Vincent’s Promotional Slideshow …

HOW TO PRINT - The ULTIMATE Guide to Achieving the PERFECT PRINT

Watch this recording of a LIVE Broadcast following the launch of my long awaited HOW TO PRINT course for a Behind the Scenes look at what went into making the course content, tips, additonal learning and Q&A

Well my HOW TO PRINT course has officially launched, and I don't care whether it's right or wrong to say this but ... "I'm Bloomin Proud of myself"

CHEK OUT MY HOW TO PRINT COURSE

As of today the course has over 7 hours of content which, I hasten to add, is the least amount of content that there will ever be as I'm looking forward to keeping this well and truly up to date for everyone that has and does enroll.

The support I've had has been incredible from close friends and people across the industry being willing, sometimes at short notice, to open their company doors and allow me in to do some filming and also them jumping on to a video conference to record an interview covering a certain topic relating to printing.

SPECIAL THANKS goes to Dominic Gurney from Epson UK who as well as freely sharing his vast knowledge has driven considerable mileage (more than once) to pass on some kit for me to use.

Everyone at Permajet for their constant support from Day 1 when I was planning this course. Inviting me into their offices, filming, lunch, paper, interviews and so much more. Outstanding!

Dr Chris Bai from BenQ whom I'm proud to call a friend and everyone at BenQ; always there and always willing to help and provide support. When I first met Dr Bai he said that his purpose was to educate me about colour and display technology and he sure has!

The BRILLIANT people at Digitalab who invited up to their offices for 2 days when I first started working on the course. Nothing was and is too much trouble for them and for that and all they do I am so incrediby grateful.

The great folks at Calibrite for helping out in so many ways providing kit, promotion, technical advice and information and always reaching out to see if I need any support.

Trevor Williams of West Street Picture Framing who opened his shop on a day it was ordinarily closed just so that I could do some filming of him showing how to correctly add a print onto backing board and add them into a mount for display.

MASSIVE thank you to everyone that has Pre Ordered the Course so far. I'm genuinely blown away at the response but also at the trust placed in me to provide a course that you're willing to hand over some of your hard earned money for. It is VERY much appreciated. (your course content will be available from 6pm UK today)

... and finally my wife Anne who does everything she can to make it easier for me to get on with getting on. Because of her support I don't have to think about anything other than getting this done and hand on heart I wouldn't have been able to get it finished and produced what I have without her.

This might sound a bit dramatic ... I mean it's 'only' a course that I've put together but heck, I've worked hard on this. I wanted to make this THE go-to course for printing so that others can get their share of the pleasure I get when seeing an image that you took the time and effort to get out and capture, retouch and finally hold in your hands.

"The ART doesn't end at the EDIT"

Capturing and Creating FINE-ART DREAM-LIKE IMAGES of the LANDSCAPE with Enrico Fossati

Watch this recording of LIVE Broadcast as I'm joined by FINE ART LANDSCAPE Photographer Enrico Fossati and go Behind the Scenes to discover his process for capturing and creating such INCREDIBLE Fine Art, Dream-Like Images of the Landscape.

links mentioned in the video:

*Use Discount Code: GLYN24 for €30 Euros OFF (valid until 30th September 2024)

Enricos’s Inspiration

Fantasy Illustrators:

John Howe , Allan Lee, Ted Nasmith, Les Edwards, Frank Franzetta,

Painters:

Albert Bierstadt, Thomas Cole, Edwin Church, Caspar David Friederich, William Turner … and many more

CAPTURING the POWER and BEAUTY of the NATURAL WORLD with Nick Page

LIVE Broadcast recording of a I chat with the incredible talent that is Landscape Photographer Nick Page, as we discuss his process for capturing the POWER and BEAUTY of the Natural World including Seascapes, Landscapes and Wildlife …

links mentioned in video:

Nick Page Website: ( LINK )

Nick Page on Instagram: @nickpagephotography ( LINK )

Nick’s Photography ‘Heroes’

How to Print Course - Pre Order ( LINK )

Adobe Terms of Service - June 2024 | FACTS NOT CLICKBAIT

Adobe recently updated their Terms of Service, however how this was done and the wording used did cause quite a strong reaction across the internet.

Some people took to posting videos with clickbait titles that served only to incite anger and unneccesarily spread worry across the creative community … and ultimately result in them gaining large view counts.

useful links

  • Clarification on Adobe’s Terms of Service: ( LINK )

  • What to know about Adobe’s Terms of Service Update (10th June 2024) ( LINK )

  • Adobe Privacy Policy: ( LINK )

  • Manage your Adobe Management Information Preferences: ( LINK )

  • Adobe Content Analysis FAQ / How Adobe uses Machine Learning: ( LINK )

  • Adobe General Terms of Use: ( LINK )