Using Photoshop Generative Fill A.I.l to fix hair and fur BUT also when NOT to use it and how to fix it manually 💥
The POWER of Personal Projects (Mini Course / Presentation)
Originally recorded exclusively for the Photoshop Creativity Virtual Summit, this presentation out of my 15+ years being involved in this industry, has received the most amount of comments and positive feedback of ANYTHING I’ve ever presented or recorded! …
Since the Creativity Summit I’ve been asked a number of times if I could make the presentation available, so from today I’m really happy to let you know it is!
What is it all about?
On the main course / presentation page I’ve recorded a short 1 minute or so video explaining exactly what the presentation / course is all about plus details of what is included AND the curriculum …
Keeping consistently creative in a modern world can be challenging, especially when outside forces intervene and put a stop to the process, so I really hope, that like the folks who originally watched and left feedback, this helps, inspires and motivates.
Captions in different Languages
Teachable, the platform where I host all my courses / videos now have new Artifical Intelligence that can not only create captions from the video content but also create captions in a ton of different languages.
I can’t vouch for how accuate the other languages will be but if you’d like to see them in a particular language, let me know and I’ll sort that out.
Give 20% , Get 20%
The last thing to let you know about is that I’ve also added a new Referal Scheme where both you and the person you refer to my video courses, both get 20% OFF your next course/s.
Enjoy,
Glyn
Photoshop A.I. Techniques for Photographers BUT what about Camera Clubs ??? 🤷♂️
Here’s a recording of a LIVE Broadcast that I did on my YouTube Channel on Wednesday 23rd August 2023 and where I showed practical and VERY useful ways of using Photoshop’s Generative Fill Artificial Intelligence BUT also where NOT to use it.
This video sparked a lot of conversation and comments because of an email I received and read out at the very start regarding the use of A.I. and Camera Clubs …
It's Coming ... The Photoshop Virtual Summit 5
It’s Coming … The Photoshop Virtual Summit 5 , running from October 30th thru November 3rd , 2023
20 expert instructors teaching 40 classes - over 30 hours of content! And you can watch it for FREE
After the success of the previous summits, I’m over the moon to have been invited to be one of the instructors and to be teaching alongside these great folks … Aaron Nace, Anthony Morganti, Ben Willmore, Bert Monroy, Blake Rudis, Colin Smith, Corey Barker, Daniel Gregory, Dave Cross, Jesús Ramirez, Khara Plicanic, Kirk Nelson, Kristina Sherk, Lisa Carney, Matt Kloskowski, Nicole Young, Sebastian Michaels, Theresa Jackson and Tim Grey!
The list of classes is mind-blowing especially as the summit will be running after the upcmong Adobe Max where all the latest updates are set to be announced!
All classes are free to watch for a 48 period once they go live, and there’s an optional VIP Pass available for purchase that gives you lifetime access to the recordings of all classes, along with audio recordings, instructor-provided class notes and exclusive bonuses.
Hope to ‘see’ you there 😃
😲 PERFECT SELECTIONS and CUT-OUTS with Photoshop A.I. (Generative Fill)
Selections and Cut-Outs of Hair and Fur can be challenging BUT Photoshop's Generative Fill A.I. CHANGES EVERYTHING!
Lighting a Portrait on a Mountain
This is the other photograph that I took of Dai O’Toole in Pembrokeshire a couple of weeks back ; much simpler than the close up headshot I did ... and a lot less editing ( LINK )
With regards to the kit used …
Sony A7RIV with 70 - 200mm G lens
Lit with the Westcott FJ200 and the Westcott 45 Degree Deep Dish Reflector which ordinarily would produce a hard light , but by aiming it just past Dai the soft outer portion is what lights him up.
This outer area carries less power but was more than enough for this shot from the 200ws FJ200 , and done so as to match the soft light caused by the cloudy sky.
My mate Anthony aiming the light past Dai (camera right)
There were still some hard shadows caused by the light hitting the straps on Dai's rucksack and walking cane but these were very easily taken out using the new Remove Tool in Photoshop.
BIG thanks to my mate Anthony Crothers for holding and positioning the light
Photoshop World Online 2023
REALLY looking forward to this and even though it would be so good to be back in the USA , presenting LIVE online is definitely the next best thing ...
50+ Hours of Photoshop , Lightroom and Photography Loveliness 😃
YouTube LIVE: Make Movie Poster Portraits using Photoshop and A.I.
Using Lightroom , Photoshop and A.I. to create Movie-Style Portraits covering techniques for Lighting , Selections , Cut Outs and Special Effects.
Here’s a YouTube LIVE Broadcast which aired on Sunday 13th August 2023 , where I go through the lighting and editing involvedin Photoshop to create this portrait of my friend Dai O’Toole …
TRY THIS 🔥 How to FIX SKIN TONE in Photoshop ... FAST
Following on from a recent LIVE Broadcast here's a Step-By-Step technique showing how to fix skin tone / colour problems quickly and easily in Photoshop PLUS how you can download an Action.
Movie Inspired Portrait in the Mountains of Wales
So last week I met up with my mate Anthony Crothers just outside of Cardiff, Wales and then we both headed to Newport in Pembrokeshire.
It was there that I’d arranged to meet up with Dai O’Toole ; a friend I’d not seen since my 39-45 Portraits Project Exhibition at the Soldiers of Oxfordshire Museum back in November of 2019.
We’d always kept in touch but this was the first time we’d caught up in person since, and this was all motivated by me having seen Dai mention about a Trek he was soon to be embarking on called the GR54 ; a 120 mile trek in the French Alps which takes in elevation of 12,500ft 😳
Hearing this and his motivation for doing so, I got in touch saying that I’d love to take his portrait on location and record a short chat with him about it all … needless to say , we were ‘Game On’
Meeting up in Newport, Pembrokeshire after some long overdue man-hugs, armed with a small amount of kit we all headed off on what Dai would call a stroll, up nearby Carn Ingli ; a mere 1500ft above sea level 😃
( Left to Right ) Anthony , Dai and Yours Truly
With no need to rush, we took our time making our way to the top whilst chatting , laughing and chatting and laughing some more whilst stopping regularly to take in waht can only be described as spectacular views.
I cannot stress enough how enjoyable and uplifting this was and it didn’t take much to understand why Dai goes out trekking every week.
Once at the top and in between repeated cries of “WOW” , with the help of Anthony on lighting, I took a series of full length portraits of Dai.
The main image from this I’m currently working on but with regards to kit, this is what I used …
Camera: Sony A7RIV
Lighting: Westcott Fj200
Due to the winds on top of Carn Ingli I decided not to take a softbox but as there was a lot of cloud cover and consequently soft light, this I needed to match on Dai.
The solution was to take along the 45 Degree Deep Focus Reflector
This would help to give more control over the light, add an extra stop of power but also by aiming it slightly off Dai, the outer softer area of the light would light him. The result … soft light from a modifier that would ordinarily produce a hard light source.
Of course using the outer area of the light isn’t as powerful / strong but for this combined with the Fj200 and conditions on the day was more than adequate.
I was also shooting tethered into my iPad using a TetherTools USB-C to USB-C cable directly into CaptureOne Mobile; shooting tethered does not get simpler and it works an absolute treat!
Having finished on ‘the top’ we made our way down ( not quite so direct as the way up mind you 🤣 ) and after grabbing a coffee and chatting more and more, we headed back to the cars which is where I wanted to take a headshot portrait of Dai for an idea I had, inspired by the original ad for the movie Hancock starring Will Smith …
To control the light on Dai I opened the boot of my car and had him sit on the bumper.
Doing this reduced the light from above , behind , and to his right hand side ( camera left ) resulting in an obvious and controlled direction of light rather than his head being evently lit in all directions.
Using my Sony A7RIV on a tripod and my 85mm G-Master lens I took a series of headshots with Dai simply looking straight down the lens but now wearing some fantastic reflective and tinted sunglasses.
I tried a few shots using the FJ200 in the Rapid Box Switch Beauty Dish and bouncing some light onto a reflector which Dai held horizointal to the ground in front of him to bounce some light up onto his chest and beard.
However, I ended up going with the natural light as positioning Dai on the rear bumper under the car boot lid produced superb light with great direction.
These were the dialled in settings:
Manual Mode , f/4.0 , 1/125sec , ISO 160
And this is the final retouched portrait …
Genuinely loved every minute of this …
Getting to hang out and have a mini road-trip with my mate Anthony Crothers , catching up with and photographing Dai , working on the edit and to top it all, being out and about in the fresh air surrounded by stunning scenery.
What’s not to love about that?
Cannot wait now for the next adventure!