iPhone Long Exposure at Durdle Door, Dorset

Headed down to Durdle Door in Dorset the other week; just over an hour away so not a long drive, but wow … what a great place.

I met up with my friend Steve Healey with the intention of photographing the sunrise but lack of local knowledge put a stop to that. Little did we know that there’s a gate preventing access that doesn’t open until 9am BUT you can take a short coastalwalk from nearby Lulworth Cove to access the beach and the famous arch … didn’t know that until later in the day though.

Still, we drove off for a while to grab a coffee and came back an hour or so later and got down to take some photographs; Steve with his Fuji and me with my iPhone and SmallRig combo.

Here’s my favourite; a 5 second long expsoure that was taken using the Lightroom Mobile App camera and a quick edit in Lightroom CC and Photoshop …

HOW I made these PORTRAITS: Complete Workflow including PHOTOGRAPHY, LIGHTROOM and PHOTOSHOP

In this video I cover EVERYTHING that I did to create these Portraits including: KIT , SET UP and RETOUCHING in Photoshop and Lightroom …

Here’s a list of all the kit I used to take the portraits, which you’ll also find on my GEAR Page …

• Westcott FJ80 II Speedlite

• Westcott FJ-X3 Remote Trigger

• Westcott Rapid Box Switch Beauty Dish

• Westcott 32” 2-in-1 Reflector

• Westcott X-Drop Poro Background Support

• Glyn Dewis Vintage Grey Canvas (for X-Drop Pro)

Long Exposure Sunrise with my iPhone and Lightroom Mobile

This Mobile Phone Photography is addicitve!

A couple of weeks back I headed over to West Bay, Dorset to meet up with my friend Steve Healy and to catch the sunrise.

Taking only my new iPhone 14 Pro Max and SmallRig Univeral Holder, whilst Steve shot away with his Fuji XT-5, I shot using the Lightroom Mobile App and experimented with the long exposure settings.

This is my favourite from our time there before the rain came down and stopped play; still … we were recommended a great café the round corner so alls well that ends well 😃

West Bay, Dorset

iPhone 14 Pro Max
Lightroom Mobile App Camera (Long Exposure)
Edited in Lightroom Mobile on iPhone and iPad

Sorry SONY but I tried the CANON R5 and LOVED IT ❤️

I’ve been shooting with Sony kit for a few years now, but recently Canon sent me some kit including the Canon R5 and bunch of RF lenses to have a play with to see what I thought, and well...

DO THIS for PERFECT COLOUR 🌈 in your PHOTOGRAPHS

Perfect, Accurate Colour is vitally important in both Photography and Video.

In this short video I show how to use the Calibrite ColorChecker Passport Duo to achieve exactly this; a simple process that involves 1 extra photograph and just a few clicks in Lightroom …

HIDDEN SETTING in LIGHTROOM MOBILE for Long Exposure Photography 🤷‍♂️

How did I not know about this?

A setting in Lightroom Mobile that when turned on makes it possible for fantastic Long Exposure Photography ... handheld or on a Tripod by taking multiple photographs VERY quickly and blending them together!

The NEW X-Drop Pro Background from Westcott

VERY excited that Westcott have recently upgraded their popular X-Drop Background system to the new, X-Drop Pro …

I’ve been using the original X-Drop for years.

If you’ve seen portraits I’ve taken over the past 3 years and any of my World War 2 Veterans Portraits from my 3945 Project then you’ll definitely have seen it …

But, more recently I’m now using the new X-Drop Pro which is a whole new design; bigger, sturdier and easier to set up, pack away and with the now foldable backgrounds, way more convenient and portable …

The X-Drop Pro has a completely new design to the main collapsible support and the arms / legs with a thicker structure which still maintains its light weight …

The clips to extend and close down the legs / arms are bigger too which altogether makes this a much more, grounded, sturdy system when installed …

The X-Drop Pro also has larger backgrounds measuring 8’ x 8’ and 8’ x ‘12 but the X-Drop Pro can still be fitted with the 5’ x 7’ and 5’ x 12’ backgrounds, be they on a roll or foldable material. based.

On the topic of material backgrounds, Westcott now have their printed backgrounds, which ordinarily came on canvas or vinyl, available now on foldable, machine washable and dryer resistant.

This to me, dare I say, is a Game Changer because although the previous X-Drop Background System was portable, this new one is even more so despite being bigger when installed, because of the foldable material backgrounds.

My signature ‘Glyn Dewis Vintage Grey’ which has proven incredibly popular is available on foldable material and in all is`es: 5’ 7’ , 5’ x 12’ , 8’ x 8’ and 8’ x 12’

If you’ve used or seen the X-Drop system in the past, you will see a BIG difference with the now Pro version.

Way to go Westcott!

*Note:
For folks in the UK (and Europe) , Carmarthen Cameras are an Official Westcott Distributor based in Wales. Speak to Krish and tell him I said hi 😃

COLOR SPACE for PHOTOGRAPHY 🌈 WHAT to use, WHY and WHEN ( Keeping it SIMPLE )

Color is a HUGE topic! sRGB , Adobe RGB , ProPhoto RGB ... What to use, Why to use it and When?!?

In this video I explain it all for editing , printing , web and sharing so you get the very BEST and CONSISTENT results 🌈

Portrait of a Biker with his Triumph on Dartmoor (Behind the Scenes)

So last week I was out in the Dartmoor National Park in the South West of the UK photographing a GREAT Guy and a GREAT Motorcycle.

With rolling hills and roads that twist and turn and disappear over the horizon line, Dartmoor is a fantastic location for photography … especially the motorbike kind, so when Matt agreed to being in front of my camera, we just had to head out …

When there, the very first thing to do was to find a composition; not an easy task with so many possibilities but so few safe areas to park up with the roads being narrow.

Finding the composition is always the hardest part, and it’s all about finding a fine balance between the background, but also where you are going to place the subject.

Now this here (below) would have been great, and maybe I'll try next time, but placing the subject (Matt and his Triumph) to the right of the frame would have meant that his head would be blocking part of the road in the distance.

So that didn't work for me.

We tried moving along a little bit and tried some different compositions, some with the camera angle, much lower down so that Matt was above the horizon line to give a bit more of a dramatic feel …

But, the one I was most happy with was the one below, which to me gives a nice balance between the scenery, the road and the biker, and although you don't see the way the road twists off to the left down and then up, you do still know it's the same road that the bike is on, that then goes off into the distance …

LENS CHOICE

Now you'll notice in this behind the scenes pictures that I'm using a telephoto lens, this was a 70 to 200mm f/4 lens, and I used that to compress the background because a telephoto lens will bring those distant areas much closer to form part of the final picture.

You can see what I mean here with this photograph taken with my iPhone from when I was looking for a composition, how the distant road just seems so well, distant …

But compare that one to the final retouched image and hopefully you can see how the road in the distance has been brought closer by the using that telephoto lens …

LIGHTING

For the lighting side of things, this was actually quite a challenge because even though the location felt like it was in the middle of nowhere, the road we were on did end up being quite busy.

We had to go back in and out of the road with the lighting (thanks Jacob) , but also the clouds in the sky … one minute they were there, the next minute they were gone. They were moving incredibly fast.

This meant one moment we had nice soft diffuse lighting and the next minute we had quite harsh lighting.

The light I used was a Wescott FJ 400; a 400ws light that has its own battery, and I used that with the Large Octa (Rapid Box Switch) which measures 48 inches; the combination of these made them very portable and easy to move around (thanks again Jacob)

Now because it was a bright day I needed as much power out of the light as possible, but I also needed a soft-ish kind of light to match the lighting in the scene. So to do that, I removed the outer diffusion material of the soft box, meaning there was only one layer of diffusion.

This gave just the right amount of balance between softness and hardness, but also didn't kill too much of the power out of the light (roughly one stop)

Because I was tethering to my laptop I was able to see, on a larger screen, what the images were looking like and check things such as sharpness, composition and so on.

This also really helped with checking out the detail in the sky and although in the out of camera shots there looks to be no detail, there was actually plenty of information there to bring back during post production. No sky replacement needed here 😃

This ultimately meant that I didn’t need to use High Speed Sync (HSS) which although great, because of how it works reduces the output of the flash / strobe so it needs to be in closer. Not using HSS meant I could have the light positioned further away out of the frame.

So there you go, a quick run through of what went on Behind the Scenes.

With the location and the conditions presenting a few challenges, keeping things simple definitely help but also the tethering came in very handy being able to not just see the images that were coming through and REALLY see what was there.

As always, if you have any questions just add them in the section below and I’ll make sure to respond.

Cheers,
Glyn

👍 This BLUR FILTER looks FANTASTIC on PORTRAITS !!!

The Depth Blur Filter in Photoshop works great on landscape pictures BUT trying using it on a Portrait and WOW!

Totally brings it to life and gives the feel of the portrait coming forward of the screen / print! I've been experimenting with this lately and am loving the results! In this video I show you my 3 Step Process...